1246 Episode 1246



"...what do you think?"

 Ray and his men had gone through the formalities at the main gate and entered Gilm, heading to the Wheat-tei at dusk as usual.
 It was a carriage ride, but on the way I was suddenly surrounded by some men.
 Of course, weapons such as long swords and spears in men's hands will prove that they want to love Sett, who is acting with a carriage.
 Also, everyone is wearing masks so that they can't see their faces.

(But will they attack you proudly in the streets?")

 Ray is dumbfounded because this is not a back alley with few people, but a main street.
 It's not a very common place, but it's not a place to attack.
 However, the men now wearing masks actually surround the carriage in which the lays are riding.

"I don't care what you think of me... honestly, I can only ask you back if you're sane?"

 Vichela muttered, looking out of the window at the carriage.
 The guillem is as large as a semi-city, some of which are slums.
 In such a place, it's no wonder they're attacking people during the day, but it's on the high street where the lay people are now.
 In fact, Ray's eyes, looking out of the window, see the masked assailants surrounding the carriage and the waiters.
 There's no doubt that the guards will come before long.
 Do the attackers understand it or not? That was beyond Ray's grasp.

"Oh! Come out! I'll kill you!"
"You don't want to destroy this fine carriage, do you? I'll be right out of it!"

 a spirited rant from outside the carriage
 Each screams, wielding a weapon.

"...I agree with Vihela's insane opinion." Do you want to attack us when we have Seto? You can't think of it normally."

 Elena muttered, looking out the window.
 Yes, this was nothing more than an anomaly if you think about it normally.
 On the side of the carriage is Seto.
 It's a pet-like set for the inhabitants of Gilm, but it's definitely a high-ranked monster.
 That's the kind of person who is now surrounding the carriage, and he has the ability to knock it down easily.
 Do the people surrounding the carriage understand it or not?
 No, as long as Seto is right in front of you, it's impossible that you don't notice him.
 If that's the case, Ray doesn't understand why he can be so bullish when he has a set of rank S monsters.
 If Seto gets a little serious, the men will be killed in less than a few seconds.

(Don't you need your own life? ...but it doesn't look like you're throwing it away or making up your mind.)

 Even in Ray's eyes, men are by no means outstanding.
 As an adventurer, it's a rank E... or at best a D.
 Originally, I don't think he has the strength to make a big face with guillem.

"That's strange,"

 Marina mutters, wondering if she had the same doubts as Ray.
 No, as a guildmaster, Marina knows more about being an adventurer than Ray.
 Then you'll understand more than Ray that the current situation is abnormal.

"Oops! You're telling me to come out! I'm going to kill this horse, too.

 When Elena heard the man shouting with a spear, she laughed.
 The horse towing this carriage has been rigorously trained since childhood.
 It would be easy to kill men shouting around the carriage.

"What shall I do, Elena?"

 The door leading to the cabernacle opens a little, and Arra asks Elena.
 With Arra's skill, it's easy to knock down people who are currently surrounding a carriage.
 But the reason they didn't do it was because they didn't know what the men were for.
 Normally, it would be aimed at someone or something inside, as a matter of course.
 But that's just the case.
 As it is now, it's not something that takes place on the high street, in places with a large number of people's eyes around it's not something that takes place.
 That is why I don't know what will happen if I act rashly, and I ask Elena this way.

"... I see. If you keep waiting, the guards will probably come. If you act like you're taking a chance to do something here, there's a possibility that the people around you will be harmed."
"So you're going to wait and see for a while?"
"Do so," Of course, however, if they actually touch it, they will allow a counterattack. -- Ray, is Sett all right?"
"There seems to be no problem,"

 To Elena's words, Ray replies, looking out the window.
 There, Sett is escorting the carriage.
 If men launch an attack, it will be possible to blow them away with a swing of their forefeet.
 However, there is no sign of movement so far, perhaps judging the circumstances around him as strange.
 The men surrounding the carriage will also be speaking forcefully because Seto doesn't move.
 But the reason why they don't show any actual attack is because they don't want to make a big fuss.
 Or is it simply the purpose of creating this uproar?

"What's your real purpose?"
"Now?"

 Marina nods her head at Ray's muttered words...then things move.

"Stop it! Don't scold Seto!"

 From the crowd around me, a child…a child of only five years old jumped out.
 The child's eyes cannot see the lays in the carriage.
 It was just that his friend Seto seemed to be harassed by the masked adults.
 That's why I got out of the crowd to help my friends.
 It's safe to say that you have courage...
 But there was no doubt that he was reckless at the same time.

"What, you little boy... Oops, you're in the way!"

 One of the masked men shouts a kick at the child who is heading towards them.
 No, it's not as powerful as kicking.
 It's right to just stick out one's feet roughly.
 Nevertheless, for a five-year-old child, the power of an adult cannot be underestimated.
 What's more, men are used to rough things, as you can see from their arms.

"Wow!"

 A child hit by a man's foot is blown away and rolled on the ground.
 Screams come from the crowd around me.
 I don't think I'd ever have thought I'd do this on such a high street.
 Some might have thought it was something of an art or something.
 The man who kicked the child opened his mouth in such a good mood.

"Huh! Don't do anything unnecessary... Huh?

 He was a man who tried to yell at those around him.The next moment, however, he saw Sett, who was supposed to have been by the carriage, before him for some reason.
 It's not just in front of you, it's the state of raising your front legs and trying to wave.
 For a moment, I don't know what happened... the next moment, he is knocked to the ground with a powerful shock and fainted.
 The good news at this time would have been that Sett had no intention of killing the man.
 That's because I didn't want to make a fuss about people around me, not because I wanted to make a fuss about him.
 It's natural that the head and upper half of the body can turn into pieces of meat if they get a blow from Seto.
 But while the man who kicked the child was unconscious from the impact of being struck to the ground, he was certain to be alive when he saw his hands and feet moving slightly.

"Oh!? d*mn it! You did it!"

 Another man, seeing his fellow man unconscious, tried to attack Sett with a long sword in his hand.

"That's it,"

 Ray jumps out of the carriage when he sees things moved by Seto.
 Deciding that he didn't have to hand out his weapon, he clenched his fist in the belly of the man who was about to head for Seto.
 Ray is originally dehumanized in terms of physical strength, unlike his appearance.
 The fists literally lie in the man's belly... over the leather armour, unable to speak and crumbling to the ground.
 The other men surrounding the carriage must have noticed that their companions had easily fainted. Instead of attacking him all at once, we watch Ray carefully. It was a bad move, though.
 If Ray was the only one to deal with, that might have been good.
 However, there are Elena's other figures here besides Ray.
 The carriage door was not so large that everyone could not jump out at once, but within seconds of Ray's departure Elena, Marina and Vihela appeared.
 And...

"Oh, my dear!"

 The aura on the cabins moves.
 After watching the situation, he probably decided that he should move now that Ray has moved.
 Ray's... the men who were only conscious of Seto, were suddenly attacked in a direction they had never expected.
 Nevertheless, considering that she was inside the guillem, it was only natural that Arra attacked her with her bare hands instead of Power Axe.
 If you're an adventurer, you're used to human blood, but this is Gillum's... that's the main street.
 Many ordinary people are completely unfamiliar with such things.
 It goes without thinking about what would happen if the torso were cut in two, the left and right, or, on the contrary, the upper half of the body was crushed and pieces of meat scattered around it.

"Gosh!"
"Oh my gosh,"
"Gasp!"

 Elena and others know this, but instead of killing them, they just lose consciousness.
 The sight must have been interesting to those around him. Each gives a shout of joysounds of joy.
 It's only natural that ... He's the kind of person who kicks a child away. Some people must find it interesting to watch it.
 On the contrary, some of the people around him are adventurers, who attack the masked men who are about to attack them.
 Of course, this is not a way of cutting with a long sword, but a way of fighting in a sheath.
 The Rays went on an attack all at once, and on the contrary, other adventurers from around them joined forces to fight... and the battle was over very quickly.
 That's the speed at which the battle is over and the masked men are unconscious and lying on the ground.

"And Ray," Who do you think these people are?"
"You may say so," ...unforeseen by Marina?"

 When asked by Vihela, Ray asks Marina nearby.
 Marina is armed with spirit magic and bow, but she is a former Rank A adventurer and has a strong enough fight.
 It didn't lag behind the men who were unconscious right now.

"I don't think there's any adventurer in Gillum who's got anything to do with Ray." It's obvious that, as long as Sett is here, it's Ray or Ray's associates who are in this carriage."
"Glu".
"Ahhhhhhhhhaha. You know, I'm all right now."

 A child who had just been blown away by a masked man screams happily when he rubs his face against Seto.
 Children playing with Seto have some scars when they roll on the ground, but there are no particularly serious scars.
 He was so happy to be able to touch Seto.
 Some of the people around me who watched it were naturally called Seto enthusiasts.
 Such people look envious at the children playing with Seto, but that doesn't mean they're going to get in the way of it.
 That child can play with Seto to his heart's content because he first went to help him.
 We couldn't take the action, giving various reasons.
 Given the circumstances surrounding it, this is a natural reward.
 Of course, when asked if they were envious, they would say they were very envious.
 Some of those who think so are relieved that there are no two people here who are the first to be named as Set lovers, such as Millerine and Johanna, when Sett is surrounded by masked men.
 ... for if they were here, they might have seen blood.
 I thought so from the bottom of my heart as I watched the guards rush in.