In the carriage, Ray had heard a lot of information from both Cotonara and Jill.
　However, it was mainly Kotonara who gave Ray a lot of information, and Jill played the role of stopping it.
　Also, the information obtained from Kotnara is not always useful.
　Ray probably doesn't need that much information, such as where the prostitutes are in the brothels in Mejogo and where to go if you have a particular propensity.
　The most important piece of information I heard from Kotonara... was that all the prostitutes in Mejogo wore collars to prove it.
　Ray knows, of course, that the collar is a slave's collar.
　But... at least I understood that Kotonara did not recognize the collar as a slave's collar.
　The realization, on proper account, is that the collar is a flashy object that apparently does not appear to be a slave collar, indicating a prostitute belonging to a major Ugo...

(If he was forcibly brought in, he might sue them for help... well, I see.) Is it prohibited by the collar of a slave to divulge information about it?)

　As he swings into the carriage, Ray thinks about it.
　Of course, it seemed that there were people who knew it, but at least considering Kotonara's personality, it's clear that she doesn't know and pretend not to know...
　If you knew it, you wouldn't be able to enjoy the night as a prostitute when you were forcibly brought in.
　Ray had such an easy-to-understand personality, though it was only about an hour after he got to know Kotonara.
　Of course, if you only collect information, you can be suspicious of many things, so other than that... ask about what kind of food is served at the bar.

"Well, I recommend boiled oak,"
"... Oak stew? Isn't that unusual?"

　Oaks are not that high-ranked monsters, but they're very good meated monsters.
　It's also the flesh of a monster that's more common than a goblin... but still highly fertile.
　However, it is rare for oaks to appear outside the frontier, so they are not eaten as often as guillem.
　Still, if it's a pleasure district like Mejogo, wouldn't it be possible to get as many ingredients as oak?
　No, maybe that's why they recommend it to themselves as a recommendation.
　That's what Ray thinks, but... Kotonara opens her mouth with a big smile.

"Of course, stewing oak is not an ordinary stew." Listen. There's something else in the stew that I'm talking about besides the meat of the oak... there's something that's out there's something like that in it. There are quite a few people who eat before they go to the brothel, aren't there?"
"Ah... I see,"

　Ray is at a loss what to say about Kotonara's words and misrepresents them.

"Oak stew tastes good even if you eat it normally, so there are many people who order it."

　Jill tells her to follow Kotonara's words.
　However, when asked what kind of ingredients it contains, Ray doesn't want to eat it.
　Of course, Ray has heard of such dishes and seen them on TV while he was in Japan.
　I also remembered watching food made from that part of the deer on TV.
　It was a variety show where celebrities ate without knowing anything, and finally the ingredient was...
　At any rate, Ray decided not to eat the stew of oak when he went to the bar in Mejogo... as if he had been waiting for the right time, he felt the pace of the carriage slow down.
　You must have noticed it. Kotonara opens her mouth with a happy smile.

"Oh, you've got it. If you haven't decided which shop Len wants to go to, go to the one for a bath. It's just right for the first person to come to Mejogo."
"Oh, yes," If you're a beginner who wants to hug a woman without any special play, you should take a bath."

　Jill agreed, and for some reason Ray was going to a brothel called a bathing maiden.
　But Ray didn't come to this major to have a prostitute.
　Originally, it was necessary to find out the secrets of the organization that would run this place.

(Was it a maiden bathing in the water, pretending to have gone to the brothel, and then dazzling her whereabouts? I heard that the next carriage leaves at dawn, and I looked into it until then... if I could find nothing, I would wait until the next carriage.)

　Mejogo and Rossi... and the cabs that go back and forth between the surrounding villages and towns are four times a day, morning, day, night, and morning.
　Then Ray decided that it wouldn't be a problem to miss a chance or two to go home.
　Of course, the later we return to Rossi, the more suspicious the Elena will be.
　Fortunately, however, there is a yellow in the Dragon Robe.
　If she was always working with him, Elena's memories would prove that Ray had no prostitution.
　In the meantime, the slowed carriage paused.
　The people in the carriage were all excited at the twirling experience that was coming.
　Then the coachman and his bodyguards opened the door, and the people in the carriage left the carriage.
　Just before Ray leaves the carriage with Kotonara and Jill... he notices that the door of the carriage has no handle from the inside.
　That means you can't open the carriage door from inside in case of emergency.
　Of course, that's only for ordinary people, and it's not impossible to destroy a carriage from inside and get out if you have more than a certain fighting power.
　In fact, Ray is confident that he can destroy it from within, without putting out his death-size or twilight spear.
　The only people locked up in a carriage would be ordinary people, or even adventurers, who are not as powerful as they are.

(Well, if you think about it, there's no such strong adventurer in the country of Lavrellina. Is that enough, if you think about it normally? ...well, I don't think that's true because the information about mejogo is spreading to neighboring countries.)

　If Mejogo's reputation spreads to neighboring countries, it is natural that wealthy people such as aristocrats and merchants will be interested.
　The bodyguards employed by such men are competent.
　Then it's only natural that he's more skilled than the adventurers of the country of Lavrellina.
　Or, there is no denying the possibility of a skilled adventurer coming directly to Mejogo.

(Then, just in case, or just in case?)

　Looking at the door, Ray gets out of the carriage.
　Then... open one's eyes wide.
　for it was a city with lights that were almost mistaken for daylight.
　Light wizards are reasonably priced.
　Nevertheless, it is a scene in which the majogos are decorated with various lights so that they can be seen from where they are now.
　When Ray was in Japan, many shops in the shopping district near the school were illuminated at Christmas, but it was more spectacular than that.

(Very... well, this is what it would look like in the entertainment district.)

　In fact, even in Gilmoo's entertainment district, magic items of lights are still on until late, indicating its prosperity.
　But... this mejogo is different in scale from the entertainment district in Gilm.
　Spending so much money on these magic items is probably a sign that so many people are dropping their money on them. And...

(Isn't the prediction that you have a lot of magic items wrong? The question is exactly how many magic items you have.)

　Ray originally took on this Dusker request largely because he was looking for magic items.
　Therefore, it is a happy event for Ray to have so many magic items available.

"Hey, Ren. What's wrong with you? Are you surprised to see mejogo for the first time?"

　Seeing Ray looking around, Kotonara asks.
　He probably didn't know what Ray was looking like, partly because he was wearing a hood.
　Fortunately, Ray opens his mouth with a smile.

"Well, I didn't expect it to be so bright at night. It's not like today is special, is it?"

　When Ray asks with a surprised look, Kotonara nods with a satisfied smile.

"Oh, it's always like this here. I'm sure there aren't many cities like this in the Kingdom of Milliana. If you look at this mejogo, you won't find anyone who would look down on you.""I hope so,"

　While Ray and Kotonara are talking, the other customers who come out of the carriage head to the shop they want.
　The shop varies from bar to brothel.

"Hey, Cotonara," Shall we be going soon?"
"Huh? Oh, yes. Well, Len. We're going, but what about you? Are you going to go to the same shop with us, or are you a girl bathing with us.
"Oh... I see. For the time being, I can't think of any restaurant yet, so I'd like to take a look at what kind of place Mejogo is like."
"So? Then we're going to go with this is it. Jill,"
"I know. ... Well, which shop do you want?" There's a good shop here, and I'm lost."
"Before that, it's a boost. Why don't you have a drink?"

　As they speak, they leave, and Ray is left alone -- with Yero.
　The driver of the carriage and the men of his assistant or bodyguard were already around.
　There were as many cabs as the three of them in a set, each gazing at Ray with a steady expression.
　There was something suspicious about his gaze, and it seemed to Ray that he was looking at why he had come all the way to Mejogo, and why he had not gone to a brothel or a bar.

(Did you stay a little too long? Well, normally you'll get off here and go to the restaurant you're looking for, and it might not be strange to think of it... for the time being, will you make a mistake?)

　Ray leaves the scene, looking curiously at the surroundings.
　At first glance, it might seem like a rich child who is very interested in a place he's been there for the first time.
　Also, Ray was looking at what was going on around him, so that's not what he was pretending to be...

(I think it was like Kabukicho on TV.)

　Ray walks down the streets of Mejogo, vaguely remembering what he saw on police documentaries and dramas.
　It's already sunset, and it's time for some people to start sleeping in ordinary villages and towns.
　But in this mejogo, as if this were the beginning of the day, a lot of people are coming out in front of each other to attract customers.
　Some bars are attracting customers, but the largest number of them are probably prostitutes.
　Many, dressed in body-emphasizing costumes, were flattering and inviting men -- a few but some women -- to walk down the street.

(I don't think I'm doing it reluctantly.)

　If women who have been forcibly taken away are being forced to prostitute themselves, it's no wonder they're behaving in some way.
　But as far as Ray was walking down the street, he could not see it anywhere.
　Are you using a slave collar that's sufficiently enforceable to hide it, or are you forced to bring it in, but your life in Mejogo was congenial?

(In the latter case, I'm sure you'll have a lot of trouble.)

　The purpose of this request was to retaliate against the organization, but at the same time it was to free those who were forcibly brought in.
　Releasing them, however, is only a case of reluctance to continue being a prostitute, unless they want it.
　Of course, you will need to contact your family, lovers, friends, etc.

"Why don't you hang out?"

　Ray was walking around looking at the surroundings, when suddenly he was approached from behind.