"I see. Suddenly the collar of the slave came off."
"Yes,"

　Ray's words make a woman nod.
　I explained what had happened to me in the last few hours, and it was the words that came back to me.
　She was ripped off by Jaya soldiers, but now she wears men's clothes.
　The clothes naturally come from Ray's mistling.
　Just in case, Ray's mistling has some clothes in it that he bought at a secondhand clothing store.
　I put it on a woman.

(Well, if you think of it as an information fee, it's cheap, isn't it?

　Clothes actually cost a fair amount of money.
　That's not the case in Japan, where Ray was, where cheap clothes are sold in large quantities.
　However, given our current situation, it was only natural that we wanted to get accurate information as soon as possible, and considering that, a suit of clothing was cheap.
　That information was unexpected and convincing to Ray.

(Considering the runaway giant under the influence of the Black Crystal, it is understandable that the collar of a slave, which had the same effect as the Black Crystal, would be broken. ...or should I say that I am glad that the collar of the slave did not run wild?)

　For a moment, Ray is relieved inside, thinking of the scene where all the prostitutes in this Majogo were killed, as soon as the collar of all the prostitutes exploded and strangled.

"Well, resistance?" I see."

　I have no particular doubt that the resistance is working in this situation.
　In the first place, it was originally planned that the Rays would go on a rampage here, and the Resistance would take action at that opportunity.

(I didn't expect it to be such a big disturbance.)

　What Ray expected was that the raids on the giant's nest would cause great confusion in the mejogo and prevent the prostitutes from being harmed.
　Originally, they wanted the prostitutes to escape, but they had the effect of a slave collar and were engaged in the profession of prostitutes.
　If you tell prostitutes to get out of the majogo in the situation, they won't listen, if not very much.
　That's why, if anything happened, I thought... but in reality, when Ray had extinguished the black crystal, the collar of the prostitutes' slaves disappeared and it was restored.
　This led to what could be called a "prostitute rebellion" in which the resistance turned to follow suit.
　. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

"So, what should I do? If I get the information, I'll get out of the game."

　Lutus' words give Ray a bit of trouble.
　Originally, I was going to do exactly what Lutus was saying.
　But it's only a plan if the prostitutes haven't been brainwashed.
　Given the current circumstances, there is a question of whether to abandon prostitutes.

"Is it true that the Resistance is trying to escape?"
"What? Oh, yes. I was going to join you, too."
"Then the question is how to get out of here."
"What do you mean?"

　Vishela asks mysteriously when she sees Ray with a slightly serious expression.
　The beauty of such Vihela's... no, the beauty of the women Elena and Marina caught her eye.
　I remember being a fairly popular prostitute.
　But the three were clearly superior in beauty to me.

(However, if they were so beautiful... I think even if they were prostitutes, they would probably not be able to hold them under pressure.)

　Being a prostitute is the past a woman wants to wipe out.
　Still, as long as I can't erase it, I want to make use of it in my future life... No, I was telling myself that I should make use of it.
　However, if you didn't say it that way, your thinking would have been negative.

"The number of prostitutes here should not have been a hundred or two hundred. Then it's a little hard to hide somewhere like a resistance."
"In other words, do you have to escape directly from Mejogo?"
"I suppose...however, there is a problem with taking many of the prostitutes out of the mejogo, from there." If it means living environment, it's best to stay in this major..."

　Ray's gaze is directed at a man who has been beheaded on the ground.

"As long as there's a group of jayas there's a good chance that they'll be caught again if they stay... this time they'll be treated worse."

　All the women listening to Ray's words look disgusted.
　Lutus and his bodyguards couldn't say anything to Ray because they had been with Jaya for some time.

"All right. Thank you. Anyway, I'll try to do the rest by myself. I can't cause you any more trouble."

　In short, the woman walks away from the laymen.
　I guess they would like to go with us.
　But I had the feeling that I would be a nuisance... above all, let alone the woman-faced Ray, Lutus and his bodyguards were clearly men.
　Perhaps because of the influence of being brainwashed into prostitution, men are nothing but objects of fear for women today.
　Of course I didn't pretend to show it, but I could understand it from the attitude of those who were here.
　That's why we don't stop women from leaving, we just see them off.

"...well, to be honest, this development was quite unexpected, but shall we move from here anyway?"

　When Ray tells him so, he pulls out a mirage basket... commonly known as a set basket.
　Naturally, the size of the sudden appearance surprised Lutus and his bodyguards.
　Just in case, Lutus knew there was a set basket for information, but it was still different to see it.

"Are you going to ride this?"
"Oh,"

　Lutus asks again after the surprise is gone.
　Ray nods easily at the remark.
　For Ray, this set basket is not particularly frightening because he has used it. ...however, Ray never really moved in a casket, since he rode on the back of Sett's back.

"Well, let's go,"

　Here, Vihela, who has already been in the set basket, gets into the set basket with Elena.
　When they see them, they can't just sit back and watch.
　No, it might be okay to just watch it in silence, but if you do that, you'll be left here for sure enough.
　That being the case, I couldn't afford to overlook it here in silence.
　Originally, a set basket was created to mean that the wings of the red lotus, led by Ray, move.
　There is some room, but if more than double the number of passengers are on board, it will naturally become narrower.

"Just a little more stuff up there,"
"Oh, I'm sorry. …" Come down a little more."
"Young, I couldn't be any more..."

　And in a set basket, the Lutas are naturally in a low position.
　But Lutus isn't pointlessly proud, and we fully understand that we're just a bonus to Ray.
　That being the case, I didn't mean to offend the Rey's by doing anything unnecessary here.
　Ray rides on Seto's back and flies amid such interactions in the basket.
　Seth then descends, flapping her wings, and runs up the sky again, carrying a cet basket that had been placed on the ground.

"...was Jaya set up before the gate?"

　muttered Ray, looking down on the ground from his back.
　The sight on the ground shows Jaya's soldiers trying to defend against the resistance of a herd of prostitutes and bodyguards trying to break through the gates.
　That was just as Ray had expected when he heard from the woman, but it's clear that if you leave it as it is, it will damage the resistance... and the prostitutes.
　It doesn't matter, and that's not a good thing for Ray to see the victims die here either.
　Also, when you think of the Elena's who will be in the set basket, you'll probably... no, definitely want to do something about it."But what shall we do... isn't it so difficult?" Fortunately, we're still clearly divided into each other's camps. Fortunately, I got just the right stuff. Well, you don't have to force yourself to use it, but even if you have it, you can only use it to sell it."

　Thinking about the future in himself, Ray calls out in a set basket.

"In front of the gate of Mejogo, there are resistance people with Jaya and prostitutes facing each other. so I'll support the Resistance anyway."
"All right, but how do you do that? Don't you think you should stop playing Set's firebrace?"

　Marina tells me so from the set basket.
　It's probably because they think using a fire brace while carrying a set basket could damage the set basket.

"Oh, that's no problem, because I'm the one who attacks you,"
"Yes, ... don't do too much." You don't want to see the mugwort itself destroyed?"

　At Marina's jestful remark, Ray smiles that it's OK.
　The marina in the casket would not have seen it at all, though, with a smile on it.

"Move right above the soldiers of Jaya, Seto,"
"Gruly!"

　Ray's words cheerfully make Seto cry and flap his wings.
　In a matter of seconds, Ray and Sett were moving directly above the Jaya soldiers.
　However, Jaya's soldiers have never realized that there is a death-causing presence right above them.
　There were several reasons for this.
　For example, the protective color capabilities of the set basket make it impossible to distinguish from below, and the Jaya people pay attention only to the resistance and prostitutes in front of them, not to the sky.
　And most importantly, the Jaya soldiers gathered here are not very elite, and Ray's perception is that they have only the right arm to describe as small fish.
　That's all... Jaya's soldiers will see hell.

"About here," Can you move slowly... like a hover?"
"Rolling".

　Rey's words leave Seto to his throat.
　The reason I didn't make a loud noise was to avoid notice of the Jaya soldiers below.
　Even if they didn't notice it in the present situation, they would have thought so if they screamed and realized their existence.
　So... Ray finally hits out at Jaya.

(If anything, it should be called a wooden hammer instead of an iron hammer.)

　Just as Ray thought, what was thrown into the air here was the carriage body obtained from the giant's nest.
　I got it because I thought it would be a good thing to sell, but it was definitely a little unexpected that I would spend it here myself.
　It would be a lie, however, to say that you did not consider using this carriage as a weapon when you obtained it.
　At any rate, the horse-drawn carriage, thrown out in the air, falls straight into the area where the Jaya soldiers are gathered.
　That's not a single machine. Two, three, four...
　For the soldiers of Jaya, it is fair to say that they have been completely blown away.
　Soldiers underneath the carriage have no point in wearing some fine protective gear.
　A carriage dropped from an altitude of 100 meters is easily crushed even by soldiers in armor.
　Bone, meat torn, blood and internal organs scattered around.
　Also, since the horse-drawn carriage is made of wood, the impact of the fall causes broken parts to scatter around and cause more damage.
　Pointy fragments pierce the body, creating a large number of screaming soldiers.
　It was so confusing that I thought it would be impossible to act under a systematic command.
　Looking at it from above, he signaled to Seto and flew away.