"Gul-l-r-r-r-r-r-r!"

　a water polo in which a set sings high and is released
　With the level five, its performance was much stronger than before.
　The moment four water poloes about one meter in diameter hit the surface of the sea, the impact releases a powerful impact into the sea.
　The impact brought a fainting fish to the surface of the sea.
　the same logic of fishing that we used to do in a river where rocks are knocked out by the impact of the rocks
　The fish that emerged in that way are not that big.
　Of course it's not big, but it's bigger than a tuna, and it'
　Then Ray uses a net to scoop up the emerging fish as he rides on Sett's back.

"Gruly!"

　When Ray sees a fish scooped up in the net, Seto screams.
　As Set looks, Ray takes a fish out of the net with a smile and hands it over to Sett, who is turning around.
　Seth, who has been quick to chew fish with a kuchibashi, tastes the most fresh fish and screams happily.

(If it's sashimi or something like that, I don't think they're just going to jump and eat... oh, but they're going to jump and eat shirasu or something like that.)

　Ray himself has never made a leap, so he can only imagine.
　It must be hard to eat because it moves in your mouth.
　Thinking of jumping food, Ray scoops up fish floating on the surface of the sea in nets.
　Then they put the scooped fish in a net that was immediately taken out of the mistling -- not a net like a taro, but a net for the fish they caught.
　Although not all fish have been fully secured, they still succeed in putting nearly 90 percent of the fish floating on the surface of the sea into the net.

(I wish I could put it in the mistling... but I'm still alive, so I can't do it.)

　Mistyling, which cannot store living creatures, naturally cannot store fainting fish.
　Therefore, it was necessary to keep the fish in the net until they were killed.

(Was it mackerel folding? I saw it on TV when I was in Japan)

　In this case, mackerel-folding does not refer to the technique of sumo, but to the act that originated from it.
　The perishable mackerel broke its neck as soon as it was caught and drained its blood.
　That was mackerel-folding, an act that Ray had just come up with.
　However, basically, mackerel folding was done when refrigeration and freezing technology were not developed, and for Ray, who has a tricky magic item called Mistilling, where there is no time flow when stored, and freshness remains unchanged, it is not that essential.

"Seto, there's a lot of fish coming up, and I'll go back."
"Gruly!"

　Seto cries, flaps his wings and tries to go back... but suddenly stops moving.
　Moments later, Ray also took the death size out of the mistling.

"Slurrurling.

　The moment the sea explodes, Seto flaps his wings and heads up from where he was for a moment.
　Then, the place where Seto's body was located, a fish that seemed to be as big as Seto's over three meters long, passed by.

"Fish... No, Monster!"

　Ray couldn't tell in an instant whether it was a fish or a monster.
　However, since he was definitely the one who attacked me, I can't afford to leave him alone.
　And most importantly...

"I don't know if it's a fish or a monster, but I can't stand missing a guy who eats so much! Set, I'll knock him down!"
"Slurrurling.

　Ray's words must have been consensual to Seto. give a sharp cry and fly water polo toward the sea level
　the same powerful blow of water polo that struck a herd of fish earlier
　The only difference, however, was that earlier the aim was to give only shock to the fish herd, and this time they were trying to hit the enemy's body directly with water polo.
　Given the power of today's water polo, there is no doubt that it will crush the body of the attacker and eat less.
　But at this point in time, if you think about what the most effective attack is against an underwater opponent, it's definitely a water polo.
　If they had shown up, there would have been many other means of attack... unfortunately, there are not many ways to do effective damage to the enemy underwater.
　There are several other ways to attack, such as Ice Arrow, Wind Arrow, or Shocky Eye.
　However, it's only a means of attack, and it's difficult if you say it's going to do a lot of damage.

"Well, did you avoid a direct hit?" Seto, when they come out... well!"

　When Ray leaped out of the sea as before, he was going to say, "I'm going to attack you directly." But he flew something out of the sea as if he had been reading what Ray said.
　Ray couldn't confirm something clearly, but he was still able to play the attack with his death size.
　And by launching a death-size attack, Ray finally learns what the underwater presence has flown.

"Scales?"

　Yes, cut and cut pieces reflect the sun's light, until Ray realizes that the enemy's flight from the sea is a scale.

(So is it a monster? No, can't you say it's a monster because you've been skimming scales? Anyway, now I wonder if the enemy will take the next step...)

　With this in mind, he cuts the scales flying out of the sea one after another with a death-size sword.
　Not surprisingly, Ray's set is not unilaterally carried out.
　The arrival of the attack from over there means that the attack will naturally arrive from over there.
　Leaving Ray to deal with the succession of scales, Sett continues to drive water polo into the sea.

"Is it impossible to overpower the king, Seto?"
"Grull!"

　At Rey's words, he sends out a water polo and occasionally releases an iced arrow, but Seth calls out that he can't do it's impossible.
　the oppression of a king who can stop his movement against him
　Even if he couldn't stop his movement, he could have slowed down his opponent's movement, but... that's only if he listened to Seto's screams under the pressure of the king.
　Or can you direct the pressure that the set gives you even if you wear earplugs?
　But... this enemy is hiding in the overwhelmingly advantageous field of the sea.
　The first blow was like jumping out of the sea, but since then it has not appeared at all.
　It is obvious that they were wary of Seto and Ray as they were unable to eat them to death in the first shot... or to lure them into the sea.
　That's probably why they're attacking unilaterally from underwater, where they think they're absolutely safe.

"You're a nuisance," But... it's just right for a big shot. Seto, keep your distance! Don't let them give up!"

　a difficult order from Ray's lips
　But Seth, following Ray's words, immediately flaps her wings to a higher position... but rises from the sea to a position where the target doesn't give up.

"Glu?"

　With a slightly tilted set, Ray holds the death size and takes out a harpoon instead.
　A harpoon made of emoticons... and a harpoon that Ray had forgotten all about.

(Monsters usually don't attack because they feel like Seto.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .）

　Thinking so, Ray holds a harpoon.
　It has a wire at the tip of the handle so that it won't be lost even after a harpoon is thrown.
　...for some reason there was a similar harpoon in Galanca.
　But it was not a wire, but a thin rope that was attached to the harpoon.

"When he comes near the sea, I'll throw this harpoon. Then you can pull him towards the beach with Seto's power."

　While Ray explains, the scales continue to be released from the underwater presence.
　However, at some altitude, the present Seto had succeeded in avoiding the scales flying out of the sea.

"Grull!"

　At Ray's words, Seto calls out and announces his intention to come out of the sea to his enemies in the sea.
　Seth's provocative behavior eventually magnified his appearance in the sea.
　He didn't try to jump out of the sea as he did at first, but he still came close to the sea level to reduce the distance he had moved up to.Of course, if anything happens, I'll be able to dive back into the sea.
　But... once Ray's harpoon is shot, that's enough.
　If the harpoon is shot, the rest of the way to the shore with the help of a set, you can drag it with a wireed harpoon.
　Then there's a moment of tension... and eventually Seto flies to the surface of the sea, flapping his wings.
　That's the speed of flight that makes you think it's going to plunge into the sea.
　But Ray, on the back of Sett's fast track, holds a harpoon at the huge, rapidly approaching sea level.
　The presence in the sea may have also noticed Sett's rapid approach.
　In a flurry, they try to dive deeper from near the surface of the sea level.
　But if you're going to dive deeper with the set that's already in motion, the latter is definitely a disadvantage.
　In this case, sea water, which has protected itself from Seto's attacks, becomes an enemy that hinders movement.
　And as he descended straight... just before he hit the surface of the sea, he flaps his wings wide and flies straight up from the dive.
　If a stranger had seen the present set, it would have looked as if it had hit the sea and bounced back.
　It's like a triangular jump using the sea.
　Ray, who was riding on Seto's back, was throwing a harpoon into the sea the moment he made a triangular jump, and the moment he came closest to the sea level.
　If it had been the usual throwing of spears, he would have delivered the greatest blow by conveying the twist of his body from foot to body and from body to arm.
　However, since I'm riding on a set this time, I can't show that much power.
　Instead, the set was approaching the surface of the sea close to its limit, adding its speed to the force of Ray's harpoon.
　Then, the feeling of the harpoon piercing the enemy's body through the wire remains in Ray's hand, and at the same time, the weight of the enemy is directly applied through the wire to his hand by the sudden rise of Seto.
　He is an enemy as big as Seto, who is over three meters long. Of course, it weighs as much as Set... no, it's obviously higher than Set, given its resistance to being lifted out of the sea.
　Ray caught such a heavy wire with his own hands.
　If the wire was held by an ordinary fisherman, he could have suffered a serious injury to his hand.
　But holding onto the wire is Ray's body, which was created by combining the skills of Zepyle and his family, who were called wizards.
　There's no way we can do anything about it.

"Ouch! d*mn it! It's a very strong pull!"

　...but not without pain.

"Glu!?"

　I look at Ray on his back, saying, "It's all right!?"
　Ray nods that there is no problem with Seto before he opens his mouth.

"Seto, move to the shore!"
"Grull!"

　At Ray's request, Seto immediately begins to fly ashore.
　It was only natural that Ray, who was riding on Sett's back, would go ashore, and that the wire he was holding... and that the harpoon that was connected to the wire would go ashore with him.
　Naturally, the harpoon-prone partner dislikes it and tries to resist it... even if he is completely separated from Seto as mentioned earlier, he is now connected to Seto with a harpoon, wire and Seto is connected to each other.
　That being the case, Ray and Sett would not be able to resist Sett's power so easily... and gradually they approached the shore.
　As they approached the shore, the depth of the sea was shallow, and yet Sett never slowed down... when Ray and Sett finally arrived, the harpoon-punched opponent had been rocked all over his body and wounded.