When the Elenas reached the house, they saw many people lying on the ground.
　Naturally, more people are believed to be members of the organization than soldiers and knights.
　Soldiers and knights who train seriously on a daily basis, and those who are used to being rough in the underworld, but do not train almost every day.
　It was only natural that this would happen if the two sides collided.

"Strange,"

　Elena muttered at the sight before her.
　Others like Ray and Arra realize what Elena wants to say and nod back.

"Well, it's such a one-sided battle... for some reason that house hasn't fallen yet."

　Yes, muttered Ray.
　In fact, the word is by no means wrong.
　As far as the Marquis Seysore family is concerned, it is certain that they are overwhelmed by the Marquis Seysore family is overwhelming.
　In the first place, the Marquis of Seysor had a great influence among the aristocracy, so that his military power was greater than that of the Duke of Quevel.
　Coming to Annesis this time doesn't mean I'm bringing all of its strength.
　However, many soldiers and knights who came with us as bodyguards should be called elite.
　It was evident from the soldiers who had just tried not to let the Elenas go on.

"Who is it?"

　They must have noticed the Ray's presence. They are as sharp as the soldiers mentioned earlier.
　The voice was uttered by a knight in his mid-30s.
　Thanks to the moonlight and the bonfires burning around him, he could see his face, even though he was not a night-sighted Ray or Elena.
　He is probably in a good position among the marquis of Seysore, who are attacking here.
　That's why, as a matter of course, when you see prominent people like Elena and Sett, you immediately understand who they are. ... Ray probably knew because Sett was there.

"Dear Elena... the crimson-den? Excuse me, but why in this place? With so many people."
"My purpose is the house,"

　When he says so, the knight's man twitches his face.
　I was afraid it might be so.
　Otherwise, there is no reason for such famous figures as Elena and Ray to be here.
　No, that's not necessarily the case, but it's still the most likely reason.

"But, as you can see, we have eliminated many of the people already in this house."
"...you don't seem to be able to capture the house for that?"
"Slip,"

　The knight was at a loss for words.
　In fact, Elena's words are correct.
　Those around to defend the house, though some sacrifice was made to the Marquis of Seysore's military strength, could be described as a near-total victory.
　But... that's the problem.
　I went into the house... No, as soon as I went into the property, various traps were set in motion.
　Soldiers, knights, and so on, are the ones who fight head on, and they cannot act like robbers to release traps.
　No, if you had been an adventurer before you became a soldier or a knight, you might have had such a skill... unfortunately, no one had such a skill.
　As a result, you can't even release the trap and get caught in it one after another.
　Also, a trap once caught doesn't mean it's over.
　I don't know what kind of means you're using, but the trap you've been caught once is back in the next moment.
　It's not the same trap, it's a completely different one, and sometimes it stays the same.
　As a result, many soldiers are wounded just by trying to enter the house.
　The trouble is that the wound is serious but not fatal.
　Although there are no dead people, transporting and treating seriously injured people will take a lot of people there.
　As a result, it was honest that they were running out of military strength and were struggling to attack their homes.
　Some of them were lucky enough to reach home, but the moment they opened the door and walked in, they were seriously injured by a trap, and either they died, or they managed to reach under their companions and get their injuries treated.
　As a result, the present situation is nothing more than the overwhelming struggle of the Marquis of Seysor.

"Then you don't mind if we come out? In the first place, as it should be, we are acting under the direction of our father, Duke of Quelevel. So it would be no good for the Marquis of Seysore to act in such a way as to interfere with our actions."

　The knight's man is at a loss for words to say to Elena.
　Elena's words were not really wrong.
　If you force yourself here... that's how you try to block Elena's action, it will undoubtedly be a great disadvantage to the Marquis of Seysore.
　I was in charge of this... not everything, and it was impossible for a knight man, who was only one of the commanders, to make a judgment about it was impossible.
　No, if you try to force yourself to make a judgment, you may be able to do it, but it is absolutely a problem to be made to take responsibility for it later on.
　Leaving the silent knight to Elena, Elena opens her mouth to the Duke of Quevel's forces.

"From now on, I, Ray, and Arra will rush into the house. Others will surround the house so that when someone escapes from the house, they won't let it escape. And..."

　Having said that, Elena glances at the knight, who is no longer able to speak, and then goes on.

"And many of the Marquis of Seysore are wounded. You must treat them as much as you can."
"Is that all right?"

　In Elena's words, Arra asks so briefly.
　To Arra, this incident amounts to a runaway run by the Marquis of Seysore.
　Nevertheless, it was only natural for me to wonder if I could help you like this.
　But Elena replies that there is no problem with Arra's words.

"In any case, it is not good that the Marquis Seysore's strength should be reduced badly, and that being the case, it is better to treat him. . . . . . . . . . . . . . . . . . . . . . . . . . . ."

　If you say so, Arra won't refuse it either.
　They immediately replace Elena with instructions.

(Yes)

　Ray is a little surprised to see Arra doing so.
　Ray knew Arla, who was very fond of Elena.
　However, seeing how he has now given orders, I think he is the only one leading Elena's bodyguard knights.
　But Ray also had to keep an eye on Arra, but also tell Seto.

"Set, if you see the earth from above, and you have any one to escape from this house, capture him."
"Gruly!"

　A set of voices that scream, "Leave it to me!"
　Originally a night-lit set, there are bonfires lit by Marquis Seysore's soldiers on the ground other than moonlight.
　As long as it was there, he could see the earth more firmly than usual, and he had no intention of letting anyone escape.
　Then when Ray and Arra finish giving instructions to the soldiers, Elena, who was watching them, speaks.

"Well, let's go,"

　Elena's expression on her face is fierce and beautiful.
　It was a sight worthy of the nickname of General Hime.
　Ray is not as loud as Elena, but the power of being released is overwhelming.
　Arra was one step behind those two, but it was a poor comparison.
　The knights of the Marquis Seysore can't stop the three of them advancing into the grounds of the house.
　In order to perform my duty, I had to give up, but... I tried, but I didn't think I could.
　Nor can we know what the soldiers of the Duke of Quelevel around us would do if we tried to stop them.The knight was unable to move until after all the Ray and his men entered the house.

"Oh! All of a sudden?"

　When Ray stepped on the ground, he cut off an arrow that came flying out of nowhere with a death-size arrow taken out of the mistling.
　Ray took the lead partly because he was a man, but partly because Ray was purely wearing a dragon robe and had a high level of defense.
　It's great to use death-size or twilight spears to defend arrows that have come flying like they do now.
　However, the latter can be done by Elena, who has a concatenated sword mirror, but in Elena's case, it is necessary to give instructions to Ray and Arra when something happens.
　In that sense, it was by no means wrong for Elena to be in the middle and for Arra to be in the tail in case something happened.

"Ray, I think you'll be all right, but be careful."
"I know. With an arrow of this magnitude... what!"

　There's no problem with arrows.
　Ray tried to say that, but as soon as he took a step forward, the ground began to move like a pair of scissors.
　One step further from the trap of an arrow, Ray never thought there was a trap like this, but... by wielding his death-size, he cuts off the earth's tiger scissors -- even sharp blades.

"...what a surprise!"

　It was an honest remark for Ray, too.
　The current trap did not make Ray aware of its existence until it was definitely activated.
　Ray was inferior to the bandits, but still had some confidence in his ability to see if there was a trap.
　But I still didn't notice the trap at all.
　However, given the impersonation that a trap that was once activated would soon be revived and then turned into another trap, it would be clear that this was not an ordinary trap.

(Do you force your way through? No, that could lead to a chain of traps. Then...)

　With Death Size in hand, Ray calls out to Elena behind him.

"Elena, if things go on like this, there are so many traps that we'll burn them by magic... How about that? I don't know what kind of means they're using, but I think we'll be able to put them together and extinguish them to some extent."
"Well... but will there be any harm to the Marquis of Seysore?"
"I'm going to adjust it well.

　At Ray's words, Elena thinks a little... and nods back to Ray's words, remembering his actions on the current series of traps.

"Well, that's what I want you to do, but don't do any harm to the Marquis of Seysore, as I have said."
"Oh,"

　After nodding, Ray begins to chant the spell, putting magic into his death size.

'Flame, you exist only in the realm of my designation, but not in the other realm. For the price of that short life, feed on my magical powers in the realm, and sublimate your life in an instant.'

　As the spell progresses, a red line is drawn to connect the Ray and his family.
　Then the red lines become transparent domes... red lizard-shaped fire spirits appear in dozens or hundreds.

"Hoseiranmai" (Rambling Dance of Fire)

　The spell is completed and the magic is invoked.
　A lizard-shaped pyre explodes, and other pyre explodes inspired by the explosion, leading to a chain of pyre explodes in the dome.
　The transparent dome itself is not that large, as it goes from where the lays are to the house.
　That's why the explosion of the fire spirit is so big, but it's over very quickly.
　As soon as the explosion ended, the transparent dome disappeared... and only the ground plowed by the explosion remained.
　There was no trap to be found, and when Ray tried to strike the ground with a death-size stonemate, there was no sign of another trap being launched.

"... well, for the time being, the trap is gone. The rest is in the house... What do you do? Would you rather burn the house here?"
"That's all right, but there's a lot to look into, so don't do that."

　Elena, saying so, went on the ground with Ray and Arra... until they arrived in front of the house without any particularity.