"... a magical stone,"

　Watching the giant dragon's head disappear, Ray suddenly mutters.
　The magical stones that seem to be monsters trying to unseal, let alone Geiska, have been swallowed up by the dragon's head that Elena created by dragon language magic with Geiska and are no longer here anymore.
　Ray realized that... that there was no other way to attack him in that situation, and that he had no choice but to give up on the magical stones.
　Ray was a bit...no, I'm sure he was expecting a lot of things because it was the magical stone of a monster that had to be sealed instead of knocked down.

"I'm sorry, but I couldn't give you a brace of light here."
"Ah... well, don't worry. If I had burned that meat cocoon thoroughly in the deep flame, I wouldn't have had to trouble Elena."

　Ray doesn't blame Elena because he understands that this incident was caused by his own laxity.
　...not exactly the sweetness of Ray's stuffing, but the life force of Geiska's.

"But what about Mistilling?"
"Huh? Oh. ... No problem."

　At Elena's word, Ray pulls the death size out of the mistling.
　If it had been, I should have been much easier in the battle against Deotles."I wonder if I can't use it at the crucial moment. I wonder what the cocoon of that meat was capable of.

(I didn't expect you to block the effect of Mistilling. No, was it because you could do that?)

　That much thought suddenly reminds Ray.
　the ability to manipulate space
　And this space was also created by its ability.
　Now that the person who made it has died, this space is not always safe.

"Elena, let's get out of here quickly and go back to that house. If it were that meat cocoon that formed this space..."

　Putting it that far, Elena probably understood what Ray meant.
　Make a quick nod and look at the passageway we took when we entered this space.
　Moments... as if I was waiting for the right time, a crunching sound rings around me.
　It was a small sound, but Ray and Elena never missed it.

"Here we go!"

　Shouting so, Ray starts running without waiting for Elena's reply.
　Naturally, Elena follows Ray.
　It was a fairly large space, but with Ray and Elena's physical abilities, the distance is of no consequence.
　Ray and Elena enter the aisle, listening to the sound of the crushing space.
　Naturally, the passageway was not safe, too, as it had been widened by the influence of that meat cocoon.
　Ray and Elena run at full speed down such aisles.
　The passageway is narrow, so it is naturally inconvenient to run at full speed, but if it continues to slow down, it is possible to get involved in the collapse of space, so it was necessary to run even if possible.
　I can hear that kind of sound one after another.
　It seemed to me that this space would definitely be destroyed in the not too distant future, but the priority was to escape anyway.
　Fortunately, whether Ray or Elena, his physical abilities would have been something to be called extraordinary.
　Running at full speed down the aisle was not the speed an average person could afford.
　But Ray and Elena run on without seeming to care about it at all... before long they see where they have entered the aisle, where the hidden doors follow what they believe to be a study or something.
　The hidden door remained open, so I could run through it without having to pretend to open it again.

"What!? ... What? Mr. Elena? Mr. Ray?"

　Reading the papers on her desk, Arra takes a semi-reflective Power Axe to Ray and Elena, who suddenly jump out of the hidden aisle, but quickly realizes they are the two she knows and releases.
　But Ray and Elena scream desperately at Arra.

"Arra, get out of here! This house will probably collapse soon!"
"Ray is right! Take the papers at random! Let's go!"

　Rey and Elena rush out of their study, holding as many papers as they could on their desk.
　Under normal circumstances, if you say this out of the blue, you won't be able to believe it right away.
　But... there was no option for Arra not to believe Elena's words, and she immediately picked up Power Ax and the papers and ran out of her study after them.
　Neither Ray nor Elena checked on her... because they understood that she would never get lost here.
　Like leading Arla and Elena, Ray runs the lead.
　if the trap had been set in this house, it would have been an act of my own accord to deal with it."

(There's no trap?)

　Running down the corridor, Ray wonders.
　It wasn't that long before we got to that study, but there were many traps in place.
　That being the case, I had always thought that countless traps would be launched when I escaped from my house... but in reality, there was no such thing as a trap, and I was able to run without any problems.
　Running through the papers in his hand, Ray thought... eventually reaching a conclusion.
　Perhaps Celestan had something like a key item to manipulate the magic item of the house that created this trap one after another.
　But the Celestan was absorbed by the bitterly hated Geiska.
　Maybe at that point in time there was something in the coal block like a key item to manipulate the myriad traps in this house.
　But the lump of charcoal, which had been left with Geiska's will, was bitten to death by the dragon's head, which appeared by Elena's dragon language magic.
　In other words, there is no longer something in the world that seems to be a key item.
　Ray doesn't even know where that dragon's head will bite him to death in the first place.

(If you ask Elena... she probably doesn't know.)

　At any rate, it is concluded that the trap set in this house has ceased to work because the key items were lost in Ray along with Celestan.
　It's just Ray's prediction, and it could actually be different.
　But for the time being it was decided that it would be easier for Ray to understand.

"I'm out!"

　The house Celestan originally lived in does not have the size of a mansion.
　That's why, if the Reys are serious about running, they can go out in less than a minute.
　But... the moment the Rays try to get out, the door opens and some soldiers appear, as if they were waiting for the right time.
　For a moment I thought that perhaps the soldiers of the Duke of Quelevel, whom Elena had brought, had arrived... and it was the Marquis of Seysore who had actually entered the house.
　If you think about it, the Marquis Seysore's soldiers had managed to break through the trap and get into this house even before the Rays entered it.
　But what if Celestan's death had stopped the trap... the scene ahead of Ray's eyes was the answer?

"Oh!? Get rid of it! Don't come into the house! This house will be all right soon!"

　Ray doesn't know what's going to happen. I don't know, but... there's a creak from behind.
　Moreover, the sounds they hear do not leave or become distant as if they were chasing the lays.
　Nevertheless, the soldiers who came into the house did not seem to react to Ray's outcry, perhaps because they were the first of the Marquis of Seysore's soldiers to enter the house.
　...to be exact, there were soldiers who had entered this house before those soldiers, but all of them had escaped from the trap.
　But Ray felt the sound of destruction growing louder and louder from behind, and decided that it was absolutely unsavory to stay here... that it was no use saying something to the soldiers, so he decided to force his way through the scene.

"Get rid of it!"

　Screaming again, Ray ploughs into the soldiers gathered in front of the door.
　Naturally, the soldiers need to respond if they see the lays coming in like that.
　They don't even have weapons, but Ray drives in on them.
　That being the case, I'm afraid I'll run into you... but with so many soldiers coming from behind me, I can't get out of the door.
　Then, of course, there was a need to do something about it, and some people tried to get into the house and avoid Ray's direction... and some decided that Ray was hostile to them and put up a long sword.However, it was impossible to pull the long sword out of the sheath of the waist in a situation where people could hardly move, and in the end, even if they tried to pull it out, I couldn't pull it out.
　Ray pokes at such soldiers.
　There is no other way but to hit the soldiers, which naturally, there is a lot of damage to the soldiers.

(I don't have the time to break down the wall... above all, the walls should be sturdier than they seem... and does the phenomenon of what seems to be a collapse of the space only end within the limits of this house?)

　Ray fought against the cocoon of meat in the interior of the house, but there was no guarantee that the phenomenon of what appeared to be a collapse of space would be solved only in the house.
　That being the case, I could not deny the option of leaving the house early... and from the premises, out of the slums, if possible, or, in some cases, out of Annesis.
　If it had been a larger house, and of what we could call a mansion, we could have run over the heads of the soldiers, with wider doors leading outside, and with slapnil shoes."
　...there was a question of how to get Aara out of the way, let alone Elena, who, like Ray, had Slapnil's shoes.
　In any case, a residence could have done such a thing, but this house is a little larger than usual, but it is far from being called a residence.
　That's why the front door is no different from an ordinary house, and you can't escape through the soldiers' heads.

(I can't help it. Don't be bitter. And if I blow you away, you'll get out of this house, so you'll be saved.)

　That's what he decides to do... Ray pushes right across his shoulders into a troop of soldiers.
　Judging from Ray's position, it's not difficult to realize what he's going to do now.
　Naturally, the soldier's expression on his face twitches violently when he is the first to bump into Ray.
　To add to his misfortune, the man knew what kind of person he was going to be.
　He's a small but notorious adventurer.
　Naturally, you get hit by such a person... and then you think about your fellow soldiers behind you, and how much damage you're going to get in between... it's a matter of course.
　But... Ray is right in front of him, and he's no longer in a position to do anything about it.
　All he can do now is not to get hurt as much as possible when he is blown away by Ray... No, he just needs to be careful not to die.
　Then the next moment, the consciousness of the soldier who bumped into Ray simply fell into darkness, as if he had been told that such determination was of no use.