First of all, considering where the body in front of them was made... and where it was necessary to make such a body, Ray and his colleagues return to their search in the house.
　It's not as large as a mansion in a baronial district, but it's still close to a baronial district, so it's incomparably larger than an ordinary house.
　It is, therefore, a great deal of trouble to look inside the house... and the most troubling thing is that there are still some people in the house who are targeting Ray and the guards.
　That's why Ray and the other guards needed two or three to act, and we couldn't make the search for the house go smoothly.

"Well, there is a possibility of something still in that study, and it is only natural that the guard should look into it."

　There seemed to be nothing else in the study where Ray had found a switch on the wall.
　But it's only natural to expect something to come out again if the guards are to look into it.
　That's why Ray, who left his study in charge of security, kept looking for other clues in the estate.

"Oh, Ray. What's the matter?"

　In the midst of all this, when I pass by one room, I am approached.
　I turned my eyes to the voice, and there were three guards there.
　Ray soon discovered that he had been looking inside this room.

"I'm looking around for clues. I can't find a place like that."
"Well, the man behind this case is definitely a very cautious fellow, and he won't leave evidence so easily."
"I know that, but I still don't have much clue. ... I found in my study something like a document."
"Tell me that quickly. Show me."

　Ray's words didn't mean that the guards in the room changed their eyes... but they still told me so with great interest.
　Ray is a little lost, but he hands over the papers he took out of the mystery ring to the security guard because he has no clue.
　The truth is that I should have seen the papers with the other guards when I left the mountain of corpses, but I completely forgot about the unusual sight...
　But... I doubt the guards reading the papers.

"What's this? ... It's a very, very meaningless subject."
"That one, too? It's kind of like a sentence that's not written."
"Cipher".

　A third person who was looking at the papers muttered so.
　It wasn't that loud, but it certainly reached their ears.
　Naturally, the voice reaches Ray's ears.

"Crypto? ... again. Can you solve it?"
"I can't do it right now. We need to look it up more closely."
"Ah... it was in a hidden shelf, so I'm sure there's some important information on it."

　As he spoke, Ray peeps into the papers as well... but he can't really understand what's written on them, whether it's just a bunch of words that don't make sense, or

"Yes, I don't know,"

　Originally, Ray is not good at deciphering codes.
　It was as simple as a large amount of "ta" mixed into a piece of paper on which Badger was painted, if it were not a code, but it was not something that could be done just by playing with children.

"Right? Yeah, we'd better have Ray take care of this. I'll give you this paper when I finish my search for this house."
"...is that all right? Some of the guards..."

　The guards who were listening immediately knew what Ray was worried about.
　That's probably what they think there's a good chance of a traitor.
　In fact, considering the past, it is only natural that such a conclusion should be reached, and the guards here should have been half sure of it.

"I'll make a copy of the contents of this document, so that if anything happens to this one, you don't have to worry. No?"
"Unless there is some trick in the paper itself,"

　As far as Ray knows, he can easily come up with a device like a stirrup with tangerine peel.
　Documents in hidden shelves, documents that are all written in code, and with unprecedented prudent than ever before.
　Given the information, it's no surprise that the paper itself has some sort of device.

"... I see. Is that possible? But that's a good deal. I can't give the copy to my boss."
"I don't know about it, so I'll leave it to you. Anyway, this is all the papers. The rest is... this tool?"

　After storing the returned documents in a mistling, Ray then took out what appeared to be several tools.
　But just by looking at it, no one knows what it is for.
　At first I thought Ray was a magic item, but at least at this point in time there's no particular difference.

"I don't think it's just a decoration or something that doesn't make any sense to have it on a hidden shelf."
"For now, Ray should keep this for me, as long as I don't know how to use it. Maybe for some reason..."

　become necessary
　The guard tried to say so, but Ray's ears heard faint screams and angry voices coming from afar.
　That's the faintest voice I could hear because Ray has a sharper hearing than usual.
　In fact, the guards in front of Ray didn't seem to have heard the voices and were talking about the tools they had.
　But even if he could not hear the voice directly, he would have immediately recognized that Ray had changed his appearance.
　The guards were suspicious and tried to look at Ray... but he had already begun to act.

"I'll be back for a while."

　You leave the room and start running towards your voice.
　Naturally, the guards on the spot soon follow Ray, wondering if they knew something had happened.
　Even if you're a trained guard, it doesn't mean that you'll be able to manage your isolated physical abilities with Ray.
　Ray moves on and off in front of security guards running down the corridor, leaving them alone.

"d*mn it, I knew it, but can't this difference in physical ability be helped!"

　The guards, running frantically but chagrined at the difference in ability between Ray and themselves.
　Such cries from behind are naturally audible to Ray.
　But now I'd rather go to the aid of the Lord of the voice that comes from where I'm going than return it.
　A few minutes after Ray started running down the corridor.
　Eventually the screams and yells that Ray hears become louder and louder.
　It was clearly the sound of a battle taking place, and in some cases it was only a one-sided attack rather than a battle.

(No, since I keep hearing him like this, I'm sure he won't be attacked unilaterally, and he'll still be in time!)

　Ray recalled the man, whose arms and legs were stuck through a stake to be displayed next to the painting in a room with a hidden door.
　You don't have to go that far if you just keep your mouth shut your mouth.
　If so, the person who created the scene... or produced it, did it to his own liking.
　It was a contradictory existence, such as creating such a scene to keep his mouth shut, but when he saw the cut of his head, he immediately recognized his skill.
　...and of course it wasn't necessarily the person who put up the paste that was fighting where Ray was heading.

"I found it,"

　spot the scene of a battle
　When Ray saw it, he was a little surprised because he was fighting three guards, a woman... no, a girl old enough to be called a girl.In this world, appearance and strength are often out of proportion.
　That's what Ray is all about.
　Still... in the battle going on in Ray's eyes today, a small girl in her early teens, with a long sword in her hand, was three guards... more than equal to an adult man, so it's natural to be surprised.
　No, it's right that they're not fighting each other out exactly, but they're attacking the guards who are defending themselves against fatal injuries.
　Is it impossible to attack because the opponent is a child, and is it preventing him?
　It was neither Ray nor I thought so, but as far as we can see, the girl's fighting skills were definitely better than the guards.
　The evidence was that the girl's long sword, which seemed to be intoxicated with slaughter, was about to be thrown down the guard's head...

"You'll let me!"

　Nebra's eyes on his waist were activated, and several arrowheads were produced.
　Ray throws the magical arrowhead quickly.
　The arrowhead that was released hit the guard's head by a long sword that was about to be thrown down... and the tip of the arrowhead was changed from the head to the guard's left shoulder.
　It was a half-cutting blow to the left shoulder, but it was undoubtedly a lesser injury than being attacked and killed in the head.
　Then the girl missed the attack she had fired... no, she glared at the other person who had been annoyed by the forceful removal of the smile of a few seconds before... the next moment she ran away immediately.
　She was a girl who was confident in her power, but didn't expect to fight Ray properly, or was simply told to run away when Ray came?
　Ray didn't know why, but the fact that the enemy had escaped in this situation must have saved him in the sense that he could treat the guards.
　That's what Ray thought, but...

"I'll do the treatment here, Ray, go after him! He's a clue, so if possible, don't kill him!"

　If the guard who was slashed in the left shoulder says so, Ray can't stop here either.
　Throwing a reasonably effective portion out of the mystery ring to the still-safe guard, he chases the girl who runs away.
　In the background, a group of guards can be heard rushing for treatment, but Ray deliberately ignores it and pursues the girl.

"Don't come!"

　The girl must have noticed Ray, who was chasing her. When she turned around, she quickly threw her dagger at him.
　But such a half‐baked throw... let alone a dagger for throwing, could never fly right at Ray.
　The rotating dagger flies in a completely wrong direction, even if Ray does not take any evasive action.

(It is true that it is difficult to run with a long sword in hand, but if you throw it, you will have no weapon to use when you are caught up with me.)

　Or, although they may have daggers as spare weapons, the dagger is undoubtedly more advantageous when fighting Ray.

(Well, if they fail to attack on their own initiative, it would be easy for us...!)

　an arrowhead to be thrown again
　The problem, however, is that this is the house.
　This means that the passageways are not straight, but there are many bent places.
　That's why the arrowheads Ray throws into the wall without catching the girl who turns the passage.

"Let me go!"

　He quickly follows the girl down the aisle... and at the same time sees the door close a little further away.
　But Ray does not act like opening the door right away when he moves to the front.
　It was obviously suspicious that the door had closed in front of Ray's eyes.
　That's why some trap could set in when Ray opens the door.
　That's why Ray stopped.
　However, you can't catch the girl inside by staying silent in front of the door.
　Not knowing what to do, Ray eventually gently reaches for the door... opening it, ready to deal with whatever happens.
　I thought it was quite natural for arrows to fly, but there was no one at the door, including a girl.